|Carved pot with ochre-ash glaze, 3.5 inches tall|
Then the other day I took it outside and looked at it more closely. In the bright daylight I could better appreciate the subtle sheen of the ochre-ash glaze which contrasts with the harsher mottled areas of burned-out iron. I began to like the way this glaze shows every detail of the clay surface, every single mark left in the making process, and the way it pools in the crevices into darker shades of grey-green.
Pots can slowly grow on you...or maybe as with people, it becomes easier to accept their imperfections once we have lived with them for a while..
Mark I've had the same problem. Sometimes I'll approach the surface from a radically different way like mixing some aluminum oxide with a clear or matte glaze, making it very thick, and then randomly brushing it on with a piece of bundled newspaper. Thick in places, thin in others, and then a whiff of cobalt or greenish glaze to finish. I do have to say your ochre-ash glaze is beaut though! (so is the shape)ReplyDelete
Thanks, Sam. This glaze is a bit like shino..rather temperamental. But with glazes it seems that the more unpredictable they are, the more rewarding the results can be.Delete
Love it's rich texture and honey colors and I love your last phrase :)ReplyDelete
Thank you, Anastasia :)Delete